Approved For Release 20OP/,0-8 ' -RDP96-00788ROO0800520001-7 ~10 ~A ORCON/NOT RELEASABLE TO FOREIGN NATIONALS GRILL FLAME PROGRAM SESSION REPORT CLASSIFIED BY: DIRECTOR, DIA REVIEW ON: 31 J-,- , c~ a EXTENDED BY: DIRECTOR, DIA REASON: 2-301c (3 & 6) iT Approved For Release 2000/08/07 CIA-RDP96-00788ROO0800520001-7 I Approved For Release 2000/0~6` ' " - ~Wl P96-00788ROO080052000~7C) SUMMARY ANALYSIS REMOTE VIEWING (RV) SESSION CC61 1. (S) This report documents a Remote Viewing (RV) session conducted in compliance with a request from SOD, J3, OJCS, Pentagon, Washington, D.C. The purpose of the session was to provide information relevant to the hostage situation in the U.S. Embassy compound in Teheran, Iran. 2. (S) The remote viewer's impressions of the target are provided as raw intelligence data and as such have not been subjected to any intermediate analysis, evaluation or collation. Interpretation and use of the information provided is the responsibility of the requestor. 3. (S) The protocol used for this session is detailed in the document, Grill Flame Protocol, AMSAA Applied Remote Viewing Protocol- (S), undated. 4. (S) Following is a transcript of the viewer's impressions during the remote viewing session. At TAB A are drawings made by the remote viewer reference his impressions of the target site. At TAB B is target cueing information provided the remote viewer. Approved For Release 20001097yi %.,ip~%~~P96-00788ROO0800520001-7 -6-0078 Approved For Releas 8ROO0800520001-7 TRANSCRIPT REMOTE VIEWING (RV) SESSION CC61 T I ME #66 This will be a remote viewing session (edited for security). PAUSE For the past few minutes, photograph of Clair Barne~3. now on Barnes. Relax and Barnes. Move to the area aware of the surroundings me. you have studied a Focus your attention concentrate. Locate with Barnes. Become and describe the area to #1 See a large ... ah ... window. See a wide hallway. There's a window just down this ... (mumble) hallway.~i This ah *..see a... a wall that's got ah... some kind of wood paneling on it, half way up. It's in the hallway. There's ah ... there's a deadend to the hallway. There's ah ... #66 Describe the hallway to me a little more. #1 It's a deadend hallway. #66 And the walls again. #1 The wall with a ... the rooms behind it. It's got ah... some kind of paneling coming half way up. #66 OK, and how is the hallway lit? #1 There's ah...very little light in the hallway. There's ah ... appears to be kind of a-looks like a small light at each end, and there's a ... looks li+-~ a row...a row of three... three rooms. The ah-insides of the roorfis ... he's in the end room. Th,:-:re's a ... what appears to be two... two beds in the ... the room he's in but he's in the room by himself. The room's all white; white walls, white ceiling. There's ah... there's 2h... there's wall +05 windows. Have to wait a second, I'm ah ... having a little trouble here. 1166 OK Approved For Release 2=0 0/08/0~~:M 6DP96-00788ROO0800520001-7 Approved For Release 20nniQz- A, 0788ROO0800520001-7 PAUSE #1 There's a ... see a "S" turn in the hallway. I went in, saw a zigzag. Get the impression that there's a ... some kind of a door on the outside on my right, and the hallway's (mumble) door (mumble) corridor. #66 What floor is this hallway on? #1 It's on the second floor'.. I'M 2 little dis- oriented. I see a staircase; I'm looking down a staircase.' I get ar),,-i,mpression it's somewhere by the end ofVhe_cqef1_dor. This building is gray. _L #66 OK, search the immediate area for other personnel #1 There's ah ... there's two ... two people in the nexty room. #66 Describe these people to me. #1 One's got glasses and a beard and a (mumble) short haircut; he's not a very big person, maybe 514 and he's got ah... ah-brown hair and his beard's a little darker than his hair. #66 OK, look at him very carefully for a minute now without reporting to me; just look at him very carefully so you might be able to recognize him latter. When you feel you can recognize him, then tell me about the other individual. PAUSE #1 The other ... other person has got a-small ... +11 small part of his ha .r. the front and his hair '-4nd d line is very receede nd ah ... looks like he's on I o_in t 0 the verge ... ah ... of I osing most of is hair on the o- ig mos / front and he's got a mustache. H s kind of stocky, st che- H S. maybe 5'6, about 200 pounds; no a lot of fat, just (p uo~u n ~dn afsloi~ , 0 a very stocky person 5 #66 OKY take a minute to look at h:, so you might be able to remember him. PAUSE __,__APpr0_V_e, d.- F-0-r-Rall9we -RDP96-00788ROO0800520001-7 ~ _2Q_Q_Q1Q8/0 7 CIA Approved For Release,&nghln "P96-00788ROO0800520001-7 #66 Alright, move now from the area where thesc individuals are; move from that area to the exit of the building, moving in a normal manner, describing as YOU go. How would I get from where these individuals are to exits of the building? #1 There's ah ... let's see. I see a corrdor; I'm going down al~orridor and erels a right turn through a do ble doors, , d there's ah-there's a -'e doo rs fr 0f funny wall ~i?tthe fron of me (mumble) as I make my '~t t ~ right turn, 's on left. It's kind of a 1 ~eo nm son 1e~ +15 corrigated w 1 or omething; curtain wall. There's 0r e~hi a small area on my right as I go down (mumble) corridor it's like a visitor center area or some- /thing; a place for receiving... receiving people. There's another set of doors and it bends to ttfe-' left a little bit and there's a large open area with doors on my left; it's like... ah ... many seat k,-~r6hind the doors. There's a ... #66 Focus your attention on moving towards the exit. #1 /(Mumble) Think it's on my right; my right hand side. Ah ... it's a simple exit; it's @h... two doors that open out, slightly recessed and there's a stone steps; like two steps, and it's ah-like a to' court yard in front. There's ah ... building's gray cou and it's two stories. Get the impression it's ~jand three stories when I'm inside and it looks like two th r( stories outside. s tol #66 Move up in the air so that you might look down and describe the shape of the building. +18 #1 4,6oks like a backwards "F"...sort of a backwards IOF." The ah ... backwards "F" is buried in a gray / ,square shape. The roof looks flat. Ah...it's got a .... garden by one side. There's a ... there's ah... something wrong with the top right corner of the "F." It's different there, the shape, it's sl"i indented a little bit. I'm getting a large cros pattern on the front. #66 OK, and once again now, what floor is Barnes located on? #1 1 get the impression that it's-it's the second floor. 3 Approved For Release 2000/08/07 CIA-RDP96-00788ROO0800520001-7 Approved For Rel 1~ G A ODP96-00788ROO0800520001-7 +22 #66 OK, #1 There's ah... the gray... the gray area I think is... ah ... the building, and ah... the "F" shape is ah... maybe the outline of the walk around it. It's very strange. I see trees, like a garden or something (mumble). I have ahmm... I've a hard time telling %.,,!iat part is building and what part is walk, but I remember the designs... (mumble). #66 Alright. 1 have no further questions about this target. If there's anything youlld like to add, do so now. #1 Yes. There's ah... there's funny looking windows in the hallway across from the rooms. They look like they have broken glass patterns when the light hits them. #66 OK. Anything else you'ld like to add. #1 Ah. #66 OK, can you draw for me these impressions you have of this area? #1 Page 1. 1 get the impression that there was this wide hallway that had some kind of shape at the end of it like this; like a zigzag or something and somewhere ... somewhere in this side of the.zigzag where the arrow is there was a door. And there was a...the reason why I got the... that impression is there was a ... like a exit light that was making quite a great deal of light in this corner of the hallway. Call it exit "L." There's an exit light there. And this is a deadend; this hallway was a deadend down here, and down here on the deadend was a room and another room and another room. I got the imp ression of ah ... like two bed type things lik this with ah ... Barnes bding where the "X" and the circle is, and this one being empty; and then two ini -this room that were occupied. I'll just put a "X" on the two that are occupied. The rooms are all white and there appeared to be two very small windows in these rooms, like this. And ah... the guy with the beard is labeled with an arrow and the guy with the receeding hair line is labeled with an arrow, and the ah...ah... there's like a light at each end although at the end were the ... I sensed 4 OEM nm~ Approved For Release 2000/08/07 CIA-RDP96-00788ROO0800520001-7 Approved For Releas- A-RDP96-00788ROO0800520001-7 there WQS an exit-, door of some sort; there might have been no light there, that might have been light just from the exit door, but to get out you had to proceed in a direction of ... of the out arrow that I drew here, and then ah...1 get the impression of going out - Page 2 - going out was ah ... going down a corridor and going through a ... ah ... double door affair and making a right onto another corridor in the direction of the arrow. As you make the right, for some reason going h hte e e '10 towards this interse e impression s t s 1 rs Impres s~ Ik I he but a r m k'Jasa s ra' ght a-ad there was a straight a ead, bu a r making a t n es 1on n he lef I jm r 0 the ~i I got an impression on the left a 0t p s t w oot typ cor jated type shape; a sawtooth type; I do t s p a t Iado ~a ed t~~e h e sa h e ;~e n (,orion sh D d ji how to explain that; an accordion shape all and on the right I got the impression there was a...ah ... visitor area, and then the corridor.,,Wn~ around to the left through another set oj~, bleb doors into a reception area, and tb,&~rhe xitw of your aright of t~hhatt ss~ommewl~..Jhe exit to th I got impression of bul'yo An~dt I doors ... some ... somewhere back over to the left. And a lot of seats behind these doors ... I don't know why, just an impression. And... ah...Page 3, 1 got an impression of ah...three stories while I was inside and two stories while I was ou'Lside. The ah... #66 Excuse me, can I ask you a question here? Can I interrupt you? #1 Yea. #66 1 noticed in 2 you drew this reception area and you do an arc; are you telling me this is a circular area or you don't know or what? #1 1 don't know. I get the ah ... I get the impression that there's curvature to that reception area... you know, I don't know whether it's full, perfect arc, whether it's a full circle, whether it's a half moon shape; it's just an impression I have that this is a circ ... there's something curv ... there's some curvator in that area. #66 OK, this is... see, this is what I didn't under- stand from your drawing, whether you were just being vauge because you didn't see that area or you definitely want to say there's curvature. 5 Approved For Release 2000/08/07 CIA-RDP96-00788ROO0800520001-7 __ --- r T.- - - - -- .......... F.Ir- ---.- I r - Approved For Release 200Q/081GT,,,--- C~IA-RDP9~6-00788ROO0800520061-7 #1 No, I have a distinct impression that there's Curvature to that area for some reason. Ah... the ah... the ah... the exit area... the exit door itself, I got an impression of a...a recess in.the building wall with ah ... two stone steps coming out and double doors. I don't know what kind of doors there were; it was like I was looking through it... you know ... like they weren't really there; I was just looking through the double doors. Page 3 - t e ah ... also, I got -an ilmpression of ah..,you know w when you look down the edge of-abuilding that's 2 maAp,out of brick, you get a ,pattern, like a...a flat 2igz I I got-this kind of patter, I'll .-pg pattern, -- write patC6fn next--to'-"It. On the right corner of the building, I just get an impression that pattern, but I ... I felt like the building was gray for some reason. It could be painted brick or something. Page 4 - you asked about the shape of the building and I'm gonna draw what I see in my mind as the ... the outlines, but I gotta be clear about the fact that the ah-I'm not sure if part of that's walk way around the building; you know, I'm not sure which part of these lines is the building and which part of Valk-Wly or ,.,..whatever, they just kind of all blended t6-gethell- I just got an impression of a backwards 'IF" sitting I Ust g' 11'~ ~1*n 4g on a black thing, and I don't-there,was_U n a b lac area over here, so this.-.. I Ill ~ao rea Ovei r-t-ftn __ac7area. I don't know if the black area is the outline of the roof, with the 'IF" being a Walk way or if the 'IF" is the... the roof outline and the black being a walk way, or... you know... it's just... the pattern is there ... it's... I get a clear impression of the pattern, but I'm not really sure what's roof and what isn't. I don't know how to explain that. It's like they blended together, maybe it's two buildings connected. But the roof was flat. I guess that's about it, really. #66 OK, anything you feel YOU want to add. #1 Oh, yea, you ust reminded me of something. I get the impression that, in the corridor, this will Page 6 - 5, I'm sorry. In the corridor vhere the rooms are, on the hallway side, I get the impression there was some small windows, but there was ah... the glass, if it was glass in the windows, is not broken, but I got the impression that there was a pattern there like broken glass. You know the way 6 C Approved For Release 2000/08/07 CIA-RDP96-00788ROO0800520001-7 Approved For Release 2000/0,8/07 CIA-RDP96-00788ROO0800520001-7 glass breaks into shards. I got this shard like impression which I'll dravi as just a bunch of triangles it) a square, but I got an impression that this window had broken shard type designs in it. I'll label this window in hallway. #66 OK, anything else? #1 Nope, that's all. #6.5 OK, we're back here. During your session G, you said that there vere a couple people that you might be able to identify if you look at some photographs, OK, so I'm gonna show you some photographs; we'll put this on hold while we run through all the photographs and then we'll come back on; if you have any comments about them, we'll do it. OK? #1 OK, good. #6.5 OK, during the session you described a couple of people. OK, now I've asked you to look at some photographs, you've now reviewed the photographs, and You picked up ah... you picked out a couple of photos here, you don't know the names of either one of the individuals, that correct? #1 Uh ha. #6.5 OK. I want you to look at this first one and tell me why you selected him? #1 1 selected him because the ... the ... his frame, this build is approximate height as evidenced by the picture, and ah-the beard, and ... and... just the way he looks is why I picked him. I'm not sure, the hair is different though, and ah... I would be about half sure of that one. #6.5 How confident are you of this identification. #1 Uhm ... not as confident of this one as I am the other one. 1, you know, I just feel like that's the person. 7 Approved For Releas -00788R000800520001-7 lift Approved For Release 2000100 ;,7ylP 6-00788R000800520001-7 #6.5 OK. The name of this individual is Donald J Cooke. oke- OK? OK, fine. Alright, the other gentlemen that ,(ttCot you identified is... is the one I'm holding in photograph. #1 Yes. And that... I'm really sure that that's one of the people in the ... in the... ah ... second room marked with the "X" on Page I of the drawings, and the reason why is the hair line is very accurate, what I was... the impressions I was getting. The build, the weight, the age, the glasses, the nose, the mouth structure; everything looks very ... very much like... I would say that's a positive identification. #6.5 A positive identification, then? OK. OK, the name on the back of this photo is Richard H. Morefield. OK, good. Anything else you want to add at this time? #1 No. 116.5 OK, that's it then. Thankyou. Approved For Release 2000/08/07 CIA-RDP96-00788ROO0800520001-7 Approved For Release 2000/08/07 : CIA-RDP96-00788ROO0800520001-7 ! I TAB Approved For Release 2000/08/07 : CIA-RDP96-00788ROO0800520001-7 Approved For Release 2000/08/07 - CIA-RDP96-00788ROO0800520001-7 Approved For Release 2000/08/07 CIA-RDP96-00788ROO0800520001-7 - ---------------- 1.117-- 1.--1 --- I Approved For Release 2000/08/07 CIA-RDP96-00788ROO0800520001-7 CZ Approved For Release 2000/08/07 CIA-RDP96-00788ROO0800520001-7 Approved For Release 2000/08/07'- CIA-RDP96-00788ROO0800520001-7 Appro..ved...Fo.r.ReleAse-200,GM8107:..CIA-RDP 8-ROOO.80Q520ODr----,...- Approved For Release 2000/08/07 : CIA-RDP96-00788ROO0800520001-7 Approved For Release 2000/08/07 : C IA-R D P+0788 ROO 08OOi5"-2br--7' i Approved For Release 2000/08/07': CIA-RDP96-00788ROO0800520001-7 13 Approved For Release 2000/08/07 CIA-RDP96-00788ROO0800520001-7 Approved For Release 2000/08/07 : CIA-RDP96-00788ROO0800520001-7 I TAB I Approved For Release 2000/08/07 : CIA-RDP96-00788ROO0800520001-7 I I. ~ .... .. . 1.. 11 - .1 1-7--l-11-1- - Approved For Release 2000/08/07 : CIA-RDP96-00788ROO0,800520061-7 TARGET CUING INFORMATION REMOTE VIEWING (RV) SESSION CC61 1. (S) The viewer has been exposed to open source news media information, classified overhead imagery arid photographes of many of the hostage personnel. He knew he would be working against the hostage situation in Iran. 2. (S) At the time of the session, the viewer was told that lie would be trying to locate Clair C. Barnes. The viewer was shown the ,I.tached photograph and was asked to locate and describe the surrOLindings of the individual in the photo. r4s 1? 14 R VJ r' .~'e e- r- 4 Approved For Release 2000/08/07 CIA-RDP96-00788ROO0800520001-7 SGFOIA3 Approved For Release 2000/08/07 : CIA-RDP96-00788ROO0800520001-7 Approved For Release 2000/08/07 : CIA-RDP96-00788ROO0800520001-7