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Introduction
Authorship: It is one thing to see that the Council of Trent (DS
1503) declared this Letter is inspired or canonical; another thing to say it is by St. Paul. In the first centuries there were doubts about the authorship. The churches of Alexandria, Jerusalem, and Cappadocia considered it Pauline, but there were doubts in the Latin church. The Muratorian Canon, St. Irenaeus, St. Hippolytus and Gaius of Rome did not consider it Pauline; Eusebius says it is clearly by Paul. A bit later Ambrosiaster did not include Hebrews among the Pauline Epistles on which he wrote commentaries. St Jerome and St. Augustine seem to have swayed opinion in the west to considering it was by Paul. Augustine said he was influenced by the prestige of the Eastern churches. After the 6th Synod of Carthage in 419, it became usual in the west to consider it by Paul. Many today would favor the view of Origen, who notes that the Greek is more literary than is usual for Paul, and that the style and composition differs from Paul's though the teaching is Paul's. We know at least often Paul dictated his Letters. For certain he would have had to do that with 2 Timothy, if we consider it his, for then Paul was in prison with no facilities for writing. But Popes and Presidents and other important people have often, in our time and before, used others to write documents for them, after telling them what content they want. Then they would go over it, perhaps make changes, and sign it. The names of Jude, Luke, Silvanus (Silas), Barnabas, and Apollo have been suggested as actual writers. Recipients: If it was originally intended for Hebrew Christians, it should have been written before the fall of Jerusalem, especially since the writer speaks of the Temple ritual as still in effect -- though later rabbinic writings also do make rules as if the temple were at hand. It also presupposes that the first readers were familiar with the temple and its rituals. In view of the fact that 13. 24 says those in Italy send greetings, it may have been written in Rome. Genre of writing: It is very important to note that the literary genre, the pattern of writing, of this Letter is homiletic, that is, preaching style. In that style, many speakers will allow themselves some freedom, exaggeration, and lack of exactness. The Letter itself gives an indication, since it calls itself "a word of exhortation (in 13. 22). Also, it makes considerable use of a device common in Greek and Roman rhetoric called synkrisis, that is placing one person along side of another in order to praise the first one. So Jesus is compared to Moses and to angels. Also, when the Letter says that Jesus was tempted or tried in all things as we are, we should not conclude He had various diseases, nor that He was ignorant of many things. The Second General Council of Constantinople (DS 424) in 553 condemned "wicked Theodore of Mopsuestia" for "insanely" saying Jesus had disorderly emotions. The Church has repeatedly taught that Jesus was not ignorant in His human mind: DS 3812, 3905, 3924, and AAS 58 (1966) 659-60. And in 5:8 we read that Jesus "learned obedience from the things He suffered." Of course this cannot mean He had been disobedient before. We will explain this line in the course of our comments below. Also the way the Epistle comments on Melchizedek as being without father or mother or end of days, is homiletic freedom. And the comments on Esau in chapter 12 lean heavily on some loose rabbinic writings. These things are of course permissible in the homiletic genre, would not be likely to be used otherwise. We will notice these and other features in the course of our comments. |